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Bindloss Dawes 為倫敦排屋增建裸露混凝土和磚砌延伸結構
Bindloss Dawes adds exposed concrete and brick extension to London terrace
由專筑網Yinglin，小R編譯
建筑工作室 Bindloss Dawes 為倫敦哈克尼一處破舊的排屋增建了一個裸露混凝土和木材的延伸結構。
該工作室翻修并擴建了這棟建筑，該房屋此前曾被改造成合租房，長達數十年并未進行良好的維護。
Architectural studio Bindloss Dawes has added an expressed concrete and timber extension to a dilapidated terraced house Hackney, London.
The studio renovated and extended the double-fronted Victorian house overlooking Clissold Park in Stoke Newington, which had previously been turned into bedsits and suffered from decades-long neglect.
▲ Bindloss Dawes 在倫敦完成了一處住宅擴建項目
Bindloss Dawes has completed a home extension in London
總部位于薩默塞特的 Bindloss Dawes 為 Emma Dahlman 和 Nick Illston 進行了此次翻修，他們希望在 Lordship Park 自然保護區建造一個家庭住宅。
工作室與 Dahlman 合作進行室內設計，通過空間的延伸，創建了一個餐廳和一個天花板高度超過四米的寬敞客廳。
Somerset-based Bindloss Dawes carried out the renovation for Emma Dahlman and Nick Illston, who wanted to create a family home in the Lordship Park Conservation Area.
Collaborating with Dahlman on interiors, the studio designed an extension to create a dining room and a grand living room with ceilings over four metres high.
▲ 一個階梯式露臺通向后花園
A stepped patio leads out to the rear garden
原有的維多利亞時期房屋得到了精心修復，地面層設有起居空間，一樓有四間臥室和浴室。
閣樓被改造成主臥室，設有一個俯瞰克利索爾德公園的老虎窗，而地下室則向下挖掘，創建了一個電影室和健身房。
工作室將其描述為延伸部分的“中樞神經系統”，是一個十字形的鋼筋混凝土結構，支撐著房屋的后墻，并成為其標志性特征。
The original Victorian house was carefully restored, with living spaces at ground floor level, and four bedrooms and bathrooms on the first.
The loft was converted to create the main bedroom, with a dormer window overlooking Clissold Park, while the basement has been dug down to create a cinema room and gym.
The "central nervous system" of the extension, as the studio describes it, is a cruciform reinforced concrete structure that holds up the house's rear wall and becomes its defining feature.
▲ 餐廳設在延伸部分
The dining room was created in the extension
Bindloss Dawes 將混凝土保持原始和未完工狀態，保留了木質模板的紋理，與傳統的主屋形成了現代的對比。
Bindloss Dawes 的聯合創始人George Dawes 說：“在延伸部分，我們希望突出和展現新的結構，它對于支撐建筑后部至關重要，同時也構成了新延伸部分的脊柱墻。
他補充說：“現場澆筑的鋼筋混凝土是一個自然的選擇，對地板和墻壁的表面進行了不同的處理，并在材料上與維多利亞時期的室內風格有所區別。”
Bindloss Dawes left the concrete raw and unfinished, allowing the patterns from the wooden casing to remain visible and creating a contemporary counterpoint to the traditional main house.
"In the extension we wanted to celebrate and express the new structure, which is so vital is holding up the back of the building, as well as creating the spine-wall of the new extension," said Bindloss Dawes co-founder George Dawes.
"In situ reinforced concrete was a natural choice, treating the surface differently for the floors and walls, and creating a material departure from the Victorian interiors," he added.
▲ 結構混凝土框架被裸露在外
The structural concrete frame was left exposed
在起居區域，木質屋頂結構也被裸露出來，在木材和混凝土之間形成了動態對比。
Dawes補充說：“雖然木材、混凝土和磚的材料和色調相互呼應，但它們也能讓你了解建筑的結構組成。”
Dahlman選擇這種材料組合是為了借鑒斯里蘭卡熱帶地區的粗野主義建筑和世紀中葉洛杉磯的現代主義住宅。這種設計貫穿整個房屋，廚房、浴室和地下室都有橡木細節。
Dahlman說：“我們希望融入大量的木材和紡織品，以平衡混凝土冰冷堅硬的表面。所有木材都未經過處理或僅涂油，目的是突出材料的溫暖感。”
In the living areas, the timber roof structure has also been left exposed creating a dynamic contrast between wood and concrete.
"While the material and tonal qualities of timber, concrete and brick are complementary, they also allow you to understand the structural composition of the building," added Dawes.
This mix of materials was chosen by Dahlman to reference brutalist architecture in the Sri Lankan tropics and mid-century LA modernist homes. It is carried throughout the house with oak detailing in the kitchen, bathroom and basement.
"We wanted to incorporate plenty of wood and textiles to balance the cold, hard surfaces of the concrete," said Dahlman. "All the wood is either left untreated or oiled to accentuate the warmth of the material."
▲ 混凝土結構構成了廚房的入口框架
The concrete structure frames the kitchen's entryway
廚房門采用粗鋸紋理，呼應了原始混凝土結構，而房屋內的所有黃銅制品，包括水龍頭和門把手，都未經過處理，使其隨著時間的推移老化并形成獨特的銅綠。
在房屋的主要部分，Dahlman 說她想避免“黑暗、陰沉的維多利亞時期氛圍”，而是選擇了明亮溫暖的墻壁顏色和涂油的地板。
她說：“作為瑞典人，我熟悉用堿液和白油處理木地板的傳統方法，這能讓房間保持明亮通風。”
The kitchen doors feature a rough-sawn texture that echoes the raw concrete structure, while all the brassware in the house, including taps and door handles have been left untreated allowing it to age and develop a unique patina over time.
In the main part of the house, Dahlman said she wanted to avoid a "dark, gloomy Victorian atmosphere", opting instead for a light and warm wall colour palette and oiled floors.
"As a Swede, I'm familiar with the traditional method of treating wooden floors with lye and white oil, which keeps the rooms light and airy," she said.
▲ 房屋的其余部分采用白墻和涂油地板
White walls and oiled floors line the rest of the home
在延伸部分，廚房被設計成家庭的中心聚集點。用餐區配有 Carl Hansen 的桌椅和 Frama 的置物架。
房屋后部通過一對滑動玻璃門通向一個大花園。由懸挑混凝土和磚砌成的階梯式露臺通向花園，淺黃色的 Weinerberger 磚與原有的維多利亞時期外墻相呼應。
In the extension, the kitchen was designed as a central congregation point for the family. The dining space features a Carl Hansen table and chairs and Frama shelving units.
The rear of the property opens onto a large garden through a pair of sliding glass doors. The stepped patio of suspended concrete and brick leads out into the garden, with buff-toned Weinerberger bricks echoing the original Victorian facades.
▲ 黃銅細節未經過處理
Brassware details were left untreated
Bindloss Dawes 于 2018 年在布魯頓開設了事務所，其近期完成的項目包括薩默塞特的 Old School 住宅改造和一座 18 世紀酒吧的翻新。
同樣在倫敦，一間頂層公寓頂部增建了一個鋁制“屋頂亭”，一處排屋增建了黏土覆蓋的延伸部分。
Bindloss Dawes opened its Bruton-based practice in 2018 and its recently completed projects include the transformation of Old School House and the renovation of an 18th-century pub, both in Somerset.
Also in London, a penthouse has been topped with an aluminium "rooftop pavilion" and a clay-covered extension was added to a terraced house.
攝影：Nick Dearden
The photography is by Nick Dearden.
本文版權歸腿腿教學網及原創作者所有，未經授權，謝絕轉載。
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