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Diébédo Francis Kéré 在瑞士小木屋中融入“非洲文化的審美傳統(tǒng)”
Diébédo Francis Kéré embraces "aesthetic traditions of African cultures" for Swiss chalet
由專筑網(wǎng)Yinglin，小R編譯
這個由創(chuàng)意總監(jiān)Nachson Mimran與普利茲克建筑獎得主Diébédo Francis Kéré合作構(gòu)思的私人住宅，帶竹制天花板的水療區(qū)是其一大特征。
這個位于瑞士格施塔德的住宅綜合體由兩人合作設(shè)計，旨在連接非洲與世界，融合了緊密借鑒瑞士和非洲設(shè)計主題的精細工藝。
為了給業(yè)主打造一個獨特的家，Mimran 和 Kéré 與瑞士建筑師 Chaletbau Matti 和室內(nèi)設(shè)計工作室 Muza Lab 以及數(shù)十位藝術(shù)家、建筑師和設(shè)計師合作，在建筑中應(yīng)用了諸多引人注目的藝術(shù)品。
A spa with a bamboo ceiling features in this private residence envisioned by creative director Nachson Mimran in collaboration with Pritzker Architecture Prize-winning architect Diébédo Francis Kéré.
Located in Gstaad, Switzerland, the residential complex by the duo aims to bridge connections between Africa and the rest of the world – integrating detailed crafts that draw closely on both Swiss and African design motifs.
Aiming to create a unique home for the owner, Mimran and Kéré collaborated with Swiss architect Chaletbau Matti and interior design studio Muza Lab alongside dozens of artists, architects and designers to fill the home with statement pieces.
▲ Nachson Mimran 和 Francis Kéré 在格施塔德設(shè)計了一處住宅
Nachson Mimran and Francis Kéré have designed a home in Gstaad. Photo by Cecil Mathieu
Mimran 說：“核心理念是創(chuàng)造一個動態(tài)空間，讓非洲和瑞士的設(shè)計傳統(tǒng)在這里交匯，促進文化間的對話。”
Kéré 補充說：“我們使用樸實的材料建造了這個作為文化交匯點的住宅：無論是從美學(xué)角度還是實用角度都能如此闡釋?！?br />
“我們通過色彩、對簡單材料的創(chuàng)新運用以及營造溫暖舒適感，來擁抱不同非洲文化豐富的審美傳統(tǒng)。”
"The core concept was to create a dynamic space where African and Swiss design traditions intersect, fostering a dialogue between cultures," Mimran told Dezeen.
"We used modest materials to create a home that really works as a meeting point between cultures: aesthetically, and practically," Kéré added.
"We embraced the rich aesthetic traditions of different African cultures through colour, innovative uses of simple materials and by creating a sense of warmth and comfort."
▲ 露天用餐區(qū)擺放著 Yinka Ilori 設(shè)計的椅子
Chairs by Yinka Ilori line the al-fresco dining area. Photo by Cecil Mathieu
該綜合體包含兩棟相鄰的小木屋，屋頂均為坡屋頂，呼應(yīng)了當?shù)氐慕ㄖL(fēng)格。
由Chaletbau Matti負責(zé)的雕刻和彩繪細節(jié)裝飾著房屋的外部，既是對傳統(tǒng)瑞士阿爾卑斯風(fēng)格立面的致敬，也融入了非洲工藝。
在房屋后部，一個露天用餐區(qū)俯瞰著開闊的景色，配有 Nifemi Marcus-Bello 定制的餐桌和設(shè)計師 Yinka Ilori 設(shè)計的色彩鮮艷的定制椅子。
The complex comprises two neighbouring chalets each topped with pitched roofs that respond to the regional context.
Carved and painted details by Chaletbau Matti decorate the home's exterior as a nod to both traditional Swiss-Alpine facades and African crafts.
At the home's rear, an al-fresco dining area overlooks the expansive scenery and is complete with a custom made dining table by Nifemi Marcus-Bello and colourful, bespoke chairs by designer Yinka Ilori.
▲ 入口區(qū)域裝飾著 Esther Mahlangu 的壁畫
Murals by Esther Mahlangu adorn the arrival area. Photo by Cecil Mathieu
除此之外，小木屋的內(nèi)部空間也經(jīng)過精心布置和裝飾，包括入口區(qū)域和車庫，這些地方裝飾有藝術(shù)家 Esther Mahlangu 創(chuàng)作的大型彩色壁畫。
在室內(nèi)，Mimran 和 Kéré 將住宅的功能劃分為三個區(qū)域，分別對應(yīng)“玩樂”（Play）、“再生”（Regenerate）和“思考”（Think）的主題。
Beyond their traditional exteriors, the chalets' interior spaces are elaborately furnished and decorated, including the arrival area and carport, which is adorned by large-scale, colourful murals by artist Esther Mahlangu.
Inside, Mimran and Kéré pided the residences' programmes into three areas responding to the themes of Play, Regenerate and Think.
▲ 水療區(qū)的天花板采用竹材
A bamboo ceiling features in the spa area. Photo by Cecil Mathieu
由 Kéré 設(shè)計的水療中心和室內(nèi)外游泳池構(gòu)成了住宅地面層的“再生”區(qū)域。
一個由 9,964 根竹管制成的天花板覆蓋著這個空間，天窗穿透其中。Kéré 表示，這些竹管如同“波浪狀的構(gòu)成”，以喚起“在洞穴中沐浴的感覺”。
A spa and indoor-outdoor swimming pool designed by Kéré makes up the home's Regenerate area hosted on the ground floor of the private residence.
Punctured by a skylight, a ceiling composed of 9,964 bamboo tubes crowns the space and, according to Kéré, was arranged into a "wave-like composition" to evoke "the feeling of bathing in a cave".
▲ 地下設(shè)有一個娛樂區(qū)
An entertainment area is held below ground. Photo by Cecil Mathieu
在地下，由柏林 Studio Karhard 設(shè)計的以“玩樂”為主題的區(qū)域是一個連接兩棟小木屋的共享娛樂空間。
這個空間內(nèi)設(shè)有壁爐、酒吧、DJ 臺和保齡球道，旁邊還有一個由設(shè)計師 Porky Hefer 與 Ousmane Mbaye、Doulsy 和 Ali Mbaye 合作實現(xiàn)的趣味盎然的茅草圍合結(jié)構(gòu)。
小木屋的起居空間也以類似的方式裝飾，這是一個明亮、雙層高的客廳，配有 Kéré 設(shè)計的有機形態(tài)樓梯和壁爐，以及藝術(shù)家 Rashid Johnson 的凸起壁畫。
由 Muza Lab 設(shè)計的室內(nèi)其他細節(jié)包括 Alexander Lamont 的中央桌子和 Aïssa Dione 的家具。
這種精致的裝飾貫穿整個室內(nèi)，另一個起居空間配有同樣由 Kéré 設(shè)計的液態(tài)金屬壁爐，以及藝術(shù)家 Adam Birch、Arthur Mamou-Mani 和 Madoda Fani 的一系列木制凳子。
Below ground, a play-themed area designed by Berlin-based Studio Karhard serves as a shared entertainment space that connects the two chalets.
A fireplace, bar, DJ booth and bowling alley are contained within the space, alongside a playful, thatched enclosure realised by designer Porky Hefer in collaboration with designers Ousmane Mbaye, Doulsy and Ali Mbaye.
The chalets' living spaces are similarly decorated – with a bright, double-height living room complete with an organically-shaped staircase and fireplace by Kéré, alongside a raised mural by artist Rashid Johnson.
Additional details in the Muza Lab-designed interior include a central table by Alexander Lamont and furnishings by Aïssa Dione.
This intricate decor continues throughout the interior, with an additional living space featuring a liquid metal fireplace also designed by Kéré, and a collection of wooden stools by artists Adam Birch, Arthur Mamou-Mani and Madoda Fani.
▲ 木雕環(huán)繞著起居空間
Wood carvings wrap around the living space
餐廳里的設(shè)計師家具包括一張同樣由 Aïssa Dione 設(shè)計的木制餐桌，餐桌兩側(cè)是 Balla Niang 的椅子，上方懸掛著瑞士設(shè)計師 Ini Archibong 的枝形吊燈。
其中一間小木屋的廚房通過使用天然材料展示了工藝元素，雕刻的胡桃木櫥柜搭配圖案地板。
房屋中引人注目的藝術(shù)品包括一個液態(tài)金屬樓梯，樓梯扶手采用縫合皮革。
In the dining room, designer furniture includes a wooden dining table also by Aïssa Dione, which is flanked with chairs by Balla Niang and crowned with a chandelier by Swiss-based designer Ini Archibong.
Crafted elements are showcased through the use of natural materials in one of the chalet's kitchens, where carved walnut cabinets are paired with patterned flooring.
Among the home's statement pieces is a liquid metal staircase, which features a stitched leather handrail.
▲ 雕刻的胡桃木櫥柜裝飾著廚房
Carved walnut cabinets decorate the kitchen
第二棟小木屋的起居空間是綜合體的“思考”區(qū)域。
Kéré 說：“在室內(nèi)，我們盡可能使用了可持續(xù)和樸實的材料，例如用夯土、稻草和大麻代替混凝土。”
Mimran 補充說：“我們的合作方式使我們能夠整合廣泛的藝術(shù)表現(xiàn)形式，從定制家具到復(fù)雜的木雕?！?br />
A living space in the second chalet serves as the complex's Think area.
"For the interior, we used sustainable and modest materials where possible, for example by replacing concrete with rammed earth, straw and hemp," Kéré said.
"Our collaborative approach allowed us to integrate a wide range of artistic expressions, from custom furniture to intricate wood carvings," Mimran added.
▲ 房屋中設(shè)有一個液態(tài)金屬樓梯
A liquid metal staircase features in the home
小木屋的其他內(nèi)部空間也同樣點綴著藝術(shù)品，包括藝術(shù)家 Joël Andrianomearisoa 在私人住宅電梯中展示的“情感談判”裝置，以及丹麥集體 Superflex 在房屋花園中用大理石創(chuàng)作的 Chalet III 雕塑。
近期在瑞士完成的其他住宅項目包括在瑞士鄉(xiāng)村為傳統(tǒng)谷倉增建的木制附屬建筑，以及巴塞爾附近一棟采用裸露混凝土墻和全高玻璃的家庭住宅。
The rest of the chalet interiors are similarly embellished with artworks, including the Sentimental Negotiations installation by artist Joël Andrianomearisoa showcased in the private residence's elevator and the Chalet III sculpture by Danish collective Superflex formed from marble in the home's garden.
Other homes recently completed in Switzerland include a timber annexe created for a traditional barn in rural Switzerland and a family home wrapped with exposed concrete walls and full-height glazing in near Basel.
Photo by Cecil Mathieu
Photo by Cecil Mathieu
Photo by Cecil Mathieu
Photo by Cecil Mathieu
Photo by Cecil Mathieu
圖片：Mark Williams
The photography is by Mark Williams unless otherwise stated.
本文版權(quán)歸腿腿教學(xué)網(wǎng)及原創(chuàng)作者所有，未經(jīng)授權(quán)，謝絕轉(zhuǎn)載。
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