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建筑賞析|在13個(gè)高低盒子里解鎖“無臺(tái)階”的歡樂密碼

發(fā)布于：2025-07-04 12:49:05

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在 13 個(gè)高低盒子里解鎖“無臺(tái)階”的歡樂密碼第1張圖片

2025大阪世博會(huì)盧森堡館 / STDM architects
Luxembourg Pavilion Expo 2025 Osaka / STDM architectes

由專筑網(wǎng)Zia，小R編譯

2025大阪世博會(huì)盧森堡館以熱情開放的姿態(tài)迎接世界各地游客的到來，它是喧囂中的一處綠蔭休憩地，吸引著人們?nèi)ヌ剿鳎橛慰蛶硪庀氩坏健⒘钊苏駣^的盧森堡之旅。盧森堡館位于2025年世博會(huì)場館中以“連接生活”為主題的區(qū)域。建筑由三個(gè)特色元素組成，與2025年世博會(huì)的三個(gè)主題相對(duì)應(yīng)：“設(shè)計(jì)未來社會(huì)”，這是博覽會(huì)的總主題，代表著人們共同擁有的獨(dú)一無二的東西，人們共享同一個(gè)地球，該理念由覆蓋整個(gè)展館的一整個(gè)大屋頂代表，代表這是盧森堡國家的項(xiàng)目，它的輻射力和傳播力可以超越國界。“連接生活”，是2025年世博會(huì)場館這一區(qū)域的主題，該主題由不同大小和高度的體量來展現(xiàn)，代表了盧森堡的多元文化社區(qū)，并形成了人工景觀。“連通性”，是盧森堡展館的主題，它將盧森堡領(lǐng)土作為共同利益基礎(chǔ)，以其獨(dú)特的傳統(tǒng)將居民聯(lián)系在一起，漫步在這一風(fēng)格化的景觀中，游客可以探索并體驗(yàn)盧森堡的生活。

The Luxembourg pavilion at Expo 2025 Osaka is both welcoming and intriguing. It is a shady resting place amid the hustle and bustle, inviting to discover and offering an unexpected, invigorating, and stimulating journey through the many facets of Luxembourg. The Luxembourg pavilion is located in the part of the Expo 2025 Site that takes up the theme 'Connecting Lives'. It is made up of three characteristic elements corresponding to the three themes of the Expo 2025 Event: 'Designing future society', the general theme of the expo, a single project, the uniqueness of what we all have in common, we all share the same Earth, represented by a single roof covering the whole pavilion. It is the project of the Luxembourg nation that radiates and communicates beyond its borders. 'Connecting lives', the theme of this part of the Expo 2025 Site, is a persity of volumes of different sizes and heights that represent the multicultural community of Luxembourg and form an artificial landscape. 'Connectivity' is the theme of the pavilion, which takes the land as a common good, the Luxembourg territory, and its unique traditions that bind its inhabitants together. A walk through this stylised landscape invites the visitor to discover and experience life in Luxembourg.

在 13 個(gè)高低盒子里解鎖“無臺(tái)階”的歡樂密碼第2張圖片

展館前院種植了幾棵樹，為長凳上的游客提供樹蔭。參觀開始時(shí)，游客從第一排體量之間的通道進(jìn)入，這些體量構(gòu)成了有頂?shù)牡群騾^(qū)和場景設(shè)計(jì)的第一幕，展示了展館性質(zhì)和盧森堡的主要特色。展館由十三個(gè)不同大小和高度的體量組成，但參觀通道位于同一平面上，以確保所有參觀者都能以流暢的方式進(jìn)入展館。展館的建筑與場景設(shè)計(jì)緊密相連，注重參觀者的體驗(yàn)質(zhì)量。參觀的終點(diǎn)是庭院，庭院周圍設(shè)有各種服務(wù)設(shè)施，提供交流活動(dòng)，以體驗(yàn)盧森堡的日常歡樂氛圍：這里有酒吧、餐廳、游戲、休閑、臨時(shí)展覽和商店等。

The forecourt in front of the pavilion is planted with a few trees that already provide shade for visitors who can sit on benches. The visit begins with a passage between the first volumes, which constitute the covered waiting area and a first stage of the scenography where the nature of the pavilion and key facts about Luxembourg are revealed. The pavilion is made of thirteen volumes of different sizes and heights. The entire visitor path is on a single level to ensure the best possible accessibility for all types of visitors. The architecture of the pavilion is strongly connected with the scenography, focusing on the quality of the experience for all visitors. The visit ends in a courtyard surrounded by services that offer exchange activities in order to experience the conviviality of Luxembourg: bar, restaurant, games, relaxation, temporary exhibitions, programme of events, and a shop.

在 13 個(gè)高低盒子里解鎖“無臺(tái)階”的歡樂密碼第6張圖片

設(shè)計(jì)基于循環(huán)經(jīng)濟(jì)原則下的本地資源。建筑大膽采取了“無漂綠”立場，不依賴于表面的環(huán)保美學(xué)，而是完全遵循循環(huán)經(jīng)濟(jì)和可持續(xù)發(fā)展的原則。這種做法看似不走尋常路，但它將真誠和務(wù)實(shí)放在首位，依靠參觀者的好奇心來參與其愿景。展館的設(shè)計(jì)最大限度地減少了資源和能源消耗，不僅在使用過程中（空調(diào)、照明、設(shè)備），而且在材料方面也考慮到了能源類型，以使用當(dāng)?shù)厣a(chǎn)的標(biāo)準(zhǔn)材料為主，從而減少運(yùn)輸成本，并確保未來的再利用。

The design is fully based on local resources according to the principles of the circular economy. Luxembourg has taken the bold stance of a "GREEN-WASHING-FREE" project. Rather than relying on superficial eco-friendly aesthetics, it fully commits to the principles of the circular economy and sustainable development. This approach may seem unconventional, but it prioritizes sincerity and pragmatism, counting on visitors' curiosity to engage with its vision. The pavilion is designed to minimize resource and energy consumption, not only during its use (air-conditioning, lighting, equipment) but also in its materials, considering their embodied or "grey" energy. Locally produced standard materials are favoured to reduce transport and ensure future reuse.

在 13 個(gè)高低盒子里解鎖“無臺(tái)階”的歡樂密碼第7張圖片

根據(jù)循環(huán)經(jīng)濟(jì)原則，材料應(yīng)盡可能長時(shí)間地以最高質(zhì)量重復(fù)使用。設(shè)計(jì)師們的工作重點(diǎn)是最大限度地減少材料消耗，確保所有組件都能有效地發(fā)揮基本功能。在可能的情況下，展館構(gòu)件都是租用的，這樣就可以將它們重新整合到未來的建筑中。為了便于再利用，材料必須保持完好無損，因此組件之間使用機(jī)械連接而不是膠合或焊接，以確保在不損壞的情況下輕松拆卸。如果不可直接再利用，則應(yīng)盡量減少對(duì)材料的加工，使其可循環(huán)利用。循環(huán)經(jīng)濟(jì)的最終目標(biāo)是避免產(chǎn)生任何廢物，盧森堡館的目標(biāo)是以謙遜的姿態(tài)展示這些新方法帶來的可能性。

Following circular economy principles, materials should be used and reused at their highest quality level for as long as possible. Designers focused on minimizing material consumption and ensuring all components serve essential functions efficiently. Wherever possible, pavilion elements are rented rather than owned, allowing them to be reintegrated into future constructions. To facilitate reuse, materials must remain intact, and assemblies use mechanical connections instead of gluing or welding, ensuring easy disassembly without damage. If direct reuse is impossible, materials should be recyclable with minimal processing. The ultimate goal of the circular economy is to avoid any waste production. The Luxembourg pavilion aims to be a modest manifesto of the possibilities offered by these new approaches.

在 13 個(gè)高低盒子里解鎖“無臺(tái)階”的歡樂密碼第11張圖片

建筑設(shè)計(jì)：STDM architectes
類型：文化建筑/展覽館
面積：1395 m²
項(xiàng)目時(shí)間：2025年
攝影：Vincent HECHT, Wataru AOYAMA
設(shè)計(jì)團(tuán)隊(duì)：STDM architects
城市：大阪
國家：日本

Cultural Architecture, Pavilion•Osaka, Japan
Architects: STDM architectes
Area: 1395 m²
Year: 2025
Photographs:Vincent HECHT, Wataru AOYAMA
Category: Cultural Architecture, Pavilion
Design Team: STDM architectes
City: Osaka
Country: Japan

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